DV (in MOV or AVI container, or as containerless DV stream).For more information on ARRIRAW files, see the ARRIRAW FAQ on the ARRI Group website.Support for ARRIRAW files from the ARRI ALEXA or ARRIFLEX D-21 cameras.Cineon/DPX (CIN, DPX with 8-, 10-, 12-, and 16-BPC DPX files, including those with an alpha channel and timecode).Camera Raw (TIF, CRW, NEF, RAF, ORF, MRW, DCR, MOS, RAW, PEF, SRF, DNG, X3F, CR2, ERF).Adobe PDF (PDF first page only continuously rasterized).Adobe Illustrator (AI, AI4, AI5, EPS, PS continuously rasterized).Video for Windows (AVI requires QuickTime on Mac OS).Audio Interchange File Format (AIF / AIFF).Some of the following extensions demote the container file formats rather than denoting specific audio, video, or image data format. We can also extend the ability of After Effects to import additional file types by installing additional codecs. Adobe Premiere Pro can import so many formats that After Effects can't import, so you can use Premier to bring data into After Effect in many ways. Importing and using some of the files in After Effect Requires the installation of additional import plug-ins. Note: If you try to delete, rename, or move an imported source file, the reference link will be broken to that file. This helps in keeping project files relatively small. When we import any files to the After Effect, it does not copy any data itself into our project but creates a reference link to the footage item's source. It also includes moving image files, still-image files, still-image sequences, and audio files. We can import different types of files, collection of files, or components of files as sources for individual footage items. We can work with the footage items in the Project panel first. We can import source files in the After effect project as the basis for footage items, and we can use these sources for layers. Next → ← prev After Effect- Importing Footage
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